MINDI ABAIR Stars Peak Records

No longer reaching for them, rather these days she’s playing, singing and beaming among them… STARS her aptly named debut on Peak Records (Concord Music Group) is a shiny collection of soulful pop and Smooth Jazz. The versatile performer has an unmistakable signature sound that has driven her contemporary jazz singles straight up the charts over the years, including 2003’s “Lucy’s” which sat at #1 for a record-breaking 8 weeks! STARS’ first radio-ready song, “Smile,” has already floated skyward with Mindi’s distinctive feel-good vibe and those heavenly hinting vocals that allow you to say “No!” to anti-depressants for at least one more day. Something that I’ve been keenly aware of for some time, but perhaps may not have been so obvious to Smooth Jazz listeners… Mindi’s a great vocalist and songwriter. In fact, I’ve always believed that it’s this strength that makes her so successful as an instrumentalist. Layering vocals in between instrumentals, STARS is somewhat of a departure for the sax-sensation. It’s a Cool Pop meets Smooth Jazz album and it’s so refreshing and highly listenable. The order of songs blend beautifully from track to track, instrumental to vocal to instrumental and so on. Ms. Abair’s vocal style is delicious, reminding me a little of a lot of favorites like Sheryl Crow, Vonda Shepard and Alanis Morissette. Tight, bright, well-crafted tunes featuring sultry sax and captivating vocals positions STARS to be a tremendous success and a genre-jumping vehicle to propel Mindi Abair into the stratosphere. ~SANDY SHORE

MARCO ALBANI Chronos Delta Top

Guitarist and composer Marco Albani comes to us by way of the Mediterranean. The Roman born musician layers his music with dazzling textures from this region as well as sounds from South America. Marco has managed to absorb the warmth and energy of these locations into his music to create a dreamy listening environment. Marco’s approach to the music is through his study of drums and percussion, so while the nylon string guitar is his primary instrument, the feeling is deep and rich. His influences are many, but he sites three guitarists of import to him: they are Wes Montgomery, Joe Pass and the “painter” Pat Metheny. Like Metheny, Marco Albani’s style is vibrant and cinematic. CHRONOS features beautiful, moving melodies and rhythms that showcase unusual instruments such as the charango, bandoneon and kamanja, creating a world-fusion sound that will surely transport the listener. Marco’s website says that CHRONOS “is permeated by the idea of a global, ethno-world music…” Thus providing an opportunity to “travel” through the rhythm and melody. There is a passionate combination of music, melody and movement on this project. I have to say that this is a delightful discovery and it is reaffirming our vision to reach around the world to introduce new music on SmoothJazz.com, which is indeed a global platform for music enthusiasts. Marco sums up the collection of songs as, “a personal route through style and composition to a space-time dimension without boundaries.” Bravissimo, Marco! ~SANDY SHORE

ANTONIO ALLEN Forever & Always Orpheus Music

Antonio Allen is not a musician just because he can play (and he can he play). Rather, he plays because he is compelled to. This artist’s love of music runs deep. You can hear it in his rich tone and solid styling. He picked up the saxophone at the age of 8 and hasn’t put it down since. At 14 he started his own band; by 15 he played his first gig in Atlanta. His pastor mother nurtured his passion by featuring him at church – an opportunity that no doubt strengthened the young man’s grasp of making an emotional connection to the music. Allen has open for the likes of Stevie Wonder, Peabo Bryson and Jermaine Jackson. He’s shared the stage with many Smooth Jazz frontrunners including Wayman Tisdale, Kim Waters and Kirk Whalum. The chemistry is strong on FOREVER & ALWAYS, his 2nd release... filled with smooth grooves, romantic ballads and soul-stirring songs. When I came across a copy of the first single, “Just For You (The Whistle Song),” I heard H.I.T. written all over it with it’s cool glide and infectious melody. “When A Child Smiles” is a soulful tribute to Smooth Jazz legend George Howard while “One For AJ” is a sweet ballad for Antonio’s 2-year-old son. FOREVER & ALWAYS comes straight from the heart from a straight up super talent. ~SANDY SHORE

THE ALLURE K*I*S*S SmoothLounge Ent

K*I*S*S, the debut release from The Allure, is a soulful blend of vocal perfection and instrumental excitement swirled together with persuasive lyrics. The engaging collaborative features critically acclaimed singer/songwriter Laura Chandler and nu jazz, lounge and chill composer Waldino (Walter Liskiewicz). The two were introduced by Internet Radio pioneer and producer Sandy Shore (SmoothJazz.com + SmoothLounge.com). Shore says, “I’ve worked with Laura for many years, we’re very close and I have a deep connection with her music. After developing a solid relationship with Waldino and producing several of his solo releases he and I starting talking about expanding the depth of his music vocally and lyrically and I knew exactly who to call.” K*I*S*S is the result of that phone call… a storm of song files and jotted notions in email began to fly between Chandler’s San Francisco, CA studio and Waldino’s Jackson, MI studio. The prolific Liskiewicz met his musical match in the adept chanteuse, who cleverly spins a colorful lyric covering the full spectrum of life, love and healing and delivers the words with sensual profundity over soulful rhythms that are at times vibey and loungey. Laura’s voice is sweet and articulate… think Weekend Players, Everything But The Girl and Zero 7. K*I*S*S delivers 12 sumptuous tracks that will leave you wanting more. ~Bridgette Vespa

KEITH ANDREW Contemplation KeithAndrew.com

What first struck me about Keith Andrew’s latest CD, CONTEMPLATION, was the vitality and vigor to the music. Every song has personality and a unique character all its own. Originally from Baltimore, Keith first picked up the guitar at 10 years old. His musical passion was fueled by exposure to the fertile and abundant San Francisco music scene when he moved there with his family as a teenager. Heading to Los Angeles to further this ardor he had the opportunity to study guitar with such masters as Robben Ford, Joe Pass, Buzz Fieten, Scott Henderson and Joe Diorio. After college (where he earned several awards from the National Association of Jazz Educators for outstanding musicianship), he attended the Guitar Institute of Technology where he eventually became a staff instructor. Additionally, Keith joined forces with keyboardist/composer Morris Beeks to form the Jazz/R&B band Himalaya. Now, back in San Francisco, his music has grown and developed with him. Keith Andrew draws from the diverse Bay Area culture to incorporate world music flavors into his style of jazz for a musical voice that is imaginative and varied, but highly accessible. The album’s lead track, “Today’s The Day” is delightfully invigorating, catching and holding the listener’s attention from the first note. “Cool Breeze,” the recordings one vocal is evocative and captivating; Keith melds his guitar work seamlessly with John Mize’s haunting vocals. If you’re looking for staid and boring, move on… if instead you want music that will kindle your senses, CONTEMPLATION is for you. ~BETH LEWIS

LORI ANDREWS After Hours Jaz Harp Records

It’s not such an odd notion really… jazz harp. I can’t think of a more emotive and affecting stringed instrument. The harp allows for a range of expression that naturally translates to the freestyle world of jazz. The attractive trailblazer is landing smack dab in the middle of radio radar with this, her 5th full band recording to date. AFTER HOURS is a stunning collection of 14 solidly crafted tunes… Lori Andrews has successfully incorporated the delightful essence of the harp into a funky, driving and deep album. Stylistically, you may hear nods to format founders and fusionists Bob James, Hiroshima and The Rippingtons. This talented player has been ensconced in the entertainment world for years performing for Presidents, the King and Queen of Spain as well as a ton of celebrities from Oprah (at her 50th) to Barbra Streisand and Clint Eastwood to performing at festivals all over the world to backing renown entertainers and appearing in movies and TV shows. AFTER HOURS is a world-class offering and features rising star saxophonist, Mark Hollingsworth and Lori’s extraordinarily talented husband, Bart Samolis on a very fluid bass, flute and guitar. Don’t let the harp angle fool you; this in no way is ‘lite jazz.’ AFTER HOURS is uplifting, thoughtful and robust. Stand outs include the buoyant “More Than a Wish,” the Smooth Jazz hit, “City Lights,” and the cool, loungey “L’s Blues.” Lori’s AFTER HOURS is a hang you’ll never want to leave… it majorly has the Feel Good Factor! ~SANDY SHORE

BOB BALDWIN NewUrbanJazz.com NuGroove Records

Keyboardist, composer, producer extraordinaire Bob Baldwin has started a movement… a movement that’s guaranteed to keep our necks boppin’ and our feet tappin’ for a long time to come. It’s a movement whose time has come. Smooth Jazz on terrestrial radio has become stagnant. It needs a re-charge. It needs a breath of fresh air. It needs a shot of Vitamin U, as in NEWURBANJAZZ.COM, the title of Mr. Baldwin’s latest and perhaps most exciting new project yet. What’s the recipe for this hot concoction? Well, it’s a lively mix of urban music and classic jazz harmonies, infused with liberal doses of hip hop and just a pinch of rap for seasoning. It’s an infectious fusion of urban and jazz styles, at once both engaging and addictive, projecting a powerfully positive vibe. With an impressive supporting cast, including names like Najee, Marion Meadows, Joey Sommerville, Jocelyn Brown, Phil Perry, and Freddie Jackson, this is a can’t-miss collection of vibrant tunes… 15 tracks and 70 minutes worth of awesome music! “Third Wind,” the first radio single, has the all the right elements to be a huge chart-topping smash, and his musical salute to the late “Joe Zawinul” is absolutely killer. Bob Baldwin’s New Urban Jazz movement is alive and happening, and NEWURBANJAZZ.COM will give it some serious traction. Kudos to Bob Baldwin for staying ahead of the curve and creating an album full of dynamic musical excitement. This one’s a no-brainer for anyone’s music collection! ~SCOTT O'BRIEN

SYLVIA BENNETT Songs From the Heart Out of Sight Music

Welcome to a new classic… Sylvia Bennett’s timeless voice set to elegant instrumentation and sophisticated arrangements makes this one simply stunning. That, and the fact that she is surrounded by three of the most gifted saxophone players in the world: The legendary Boots Randolph, two-time Grammy nominee Ed Calle and eight-time Grammy nominee Kirk Whalum! This project is loaded with Grammy nominees actually, including Bennett herself for SENTIMENTAL JOURNEY with Lionel Hampton. SONGS FROM THE HEART is a collection of unforgettable tunes that create a brilliant stage for Sylvia to shine on with amazing clarity… her warm, sweet and smooth vocal delivery is breathtaking. Songs like “Embraceable You,” “My Funny Valentine,” “Since I Fell For You” and “Here’s That Rainy Day” are delightful carriages for the jazz chanteuse. The natural sonic approach will appeal to music enthusiasts of all ages. Fans of Diana Krall and Norah Jones will appreciate the organic, relaxed instrumentation while jazz aficionados will relish in the artful production. “It’s back to real players, back to grass roots… without synthesizers.” says Hal S. Batt, the award-winning producer of SONGS FROM THE HEART. Sylvia adds, “The recording is unplugged, transparent and my soul is exposed.” Precisely why SONGS FROM THE HEARTis a captivating collection and why Bennett is a successful, international recording artist and entertainer who, with this release, is sure to make even more fans around the globe. ~SANDY SHORE

DONN BYNUM Do You Feel Me Great Sax Productions

To categorize an artist like Donn Bynum would be akin to claiming all pasta is alike. With both there are many shapes, sizes and varieties to choose from and as they say, “variety is the spice of life.” Musical diversity makes Donn Bynum’s debut recording, DO YOU FEEL ME?, an exhilarating experience. As saxophonist and vocalist, Bynum is able to showcase strong melodies and bring forth robust hook lines from first note to last. A lifelong musician, Bynum began playing piano at age four and turned to the saxophone when he was twelve. He became so proficient that he was asked to join Bootsy Collins for several shows when he was 18. After graduating college he joined the Commodores, touring the U.S., Europe, Asia and Africa. While touring with the Commodores Bynum played sax, flute, keyboards and drums and when the group appeared on the “Motown 25th Anniversary” show to perform “Brick House,” it was Donn on the drums. On DO YOU FEEL ME? it’s not only his performance skills that are showcased, but his writing, producing and arranging expertise as well. Featuring Paul Jackson Jr. on guitar and Bynum’s sultry, ardent vocals, the title track sets a passionate tone for the rest of the CD. Tranquil and comforting, “D’s Melody” is a charming expression of devotion. “Midnight In Rio” is fierce and powerful, instantly drawing the listener in and “The Cha Cha Song” is a Smooth Jazz knock out! Donn Bynum has set the table… Bon appetite! ~BETH LEWIS

JAMIE CRAIG The Lost Dream Craig Sound Productions, Inc.

As Smooth Jazz evolves, let’s look back to the beginning, when it included a myriad of compelling musical elements… melodic, rhythmic and textural. There was contemporary jazz, but also rock and new age, urban and world… a veritable potpourri of intriguing sounds. It’s time for Smooth Jazz to rediscover it roots. What made the sound truly unique and captivating back then may help freshen things up today… Detroit-area multi-instrumentalist Jamie Craig’s new album THE LOST DREAM is a perfect example of what I’m talking about. Think Vangelis meets Yes and you’ll get the idea of the vibe Mr. Craig has created on this uber impressive collection of eleven originals, performed on his keyboards, synthesizers, and computers. As he puts it, “The sounds you can get out of synthesizers are either ultra-real or fantasy-like… a virtual world of music that mostly incorporates traditional sounds, but sometimes takes the notes of an instrument beyond its actual capabilities.” The result of this musical synthesis is an emotional sonic journey through moods ranging from the sadness of losses (“The Lost Dream”) through the cerebral self-talk of “Did You Need to Ask?” to the exhilaration of fresh hope for the future (“Take the High Road”). Jamie Craig’s THE LOST DREAM is a stunning fusion of contemporary jazz, prog-rock and melodic nu age that totally adds a fresh, new, yet classically timeless depth to what today’s Smooth Jazz needs to be. Highly recommended! ~SCOTT O'BRIEN

AL DEGREGORIS Three Before Midnight A-pex Recordings International

Composer and keyboardist Al DeGregoris scores big here with an album of originals that combines traditional melodic jazz licks with the contemporary sensibilities of Smooth Jazz. The Long Island, New York native started it all at the age of 4, when he first played piano. From there it was sax at six, writing his first song and starting his first band at 7, and his first paid gig at 13! Intensive musical studies in both classical and jazz piano, designing and building his own studios, wowing audiences in some of New York’s most posh venues, and winning numerous awards for his compositions and performances has led at last to this dazzling debut recording, THREE BEFORE MIDNIGHT. Everything on this album is an original composition, and every instrument you hear is played by DeGregoris. He writes lush, compelling melodies, and combines them beautifully with an assortment of happening urban, hip hop, and Latin grooves, bringing everything from an uptown NYC feel to tropical Afro-Cuban and Brazilian vibes. This project is loaded with the good stuff… from the soft, pensive “Finding Forever” to the beguiling title track to the exuberant “Hot Potato,” plus everything in-between. I especially like the lyrical “Day Dreams,” the cinematic “Into the Light,” and the festive “BC’s Bounce.” THREE BEFORE MIDNIGHT from Al DeGregoris is great music from an extraordinarily talented musician! ~SCOTT O'BRIEN

EAST OF WEST Crossing Borders EOW Records

By definition, “jazz” is an amalgamation of sounds and rhythms, characterized by improvisation and syncopation. This description becomes vividly animated on the debut CD from East Of West, CROSSING BORDERS. Long-time friends, bassist, Steve Jeffrey and drummer, John Cardoso are the heart and soul of East Of West, having written, produced and arranged all the songs on the recording. What makes their story especially interesting is that when they first began production, Jeffrey was living in Boston and Cardoso resided in L.A. The two friends first met in California in the 1980’s when they played in bands together, but while they each chose to pursue a musical education, Jeffrey ventured east to Boston’s Berklee College of Music, while Cardoso stayed on the west coast to study at the Grove School of Music and Five Towns College. When Jeffrey started to lose his eyesight due to a rare retinal condition and realized he could no longer continue his musical composition on his own, the two reunited as East Of West. The collection opens with the title track, a rollicking and exuberant musical celebration. When you need a shot of adrenaline to keep going, East Of West offers up the perfect solution with “Second Wind.” “View From My Window” makes you want to open up that casement and experience the scene for yourself. When long time friends join for a reunion it is always a pleasurable experience. In this case we, we get to share in the delight. ~BETH LEWIS

EVERETT B WALTERS Always High Reaching Petey Pete Entertainment

Who is Everett B. Walters? For the record, Everett B. Walters is a band… actually a duo, starring brothers Harold Walter Brown III on bass and Mike Everett Brown on guitar. These guys have cooked up one kinetic album here in ALWAYS HIGH REACHING, and loaded it with the hip sounds of jazz, soul, R&B, and funk. The Brown Brothers, born and raised on Chicago’s south side, started their music with piano lessons, but after hearing James Brown in concert, switched to guitars. After playing in church, talent shows, in school, and evolving over the years as they turned professional, Harold and Mike eventually moved to Vegas, where they’re now based and making their presence felt big-time in the world of Smooth Jazz. ALWAYS HIGH REACHING contains ten original tunes written in collaboration with close friends Pete Merriweather (drums) and Alex Alessondroni (keyboards) that sizzles with creativity and passion. Highlights to my ear include “Always High,” featuring Brian Simpson on piano, the tasty “And the Story Goes Like This,” and “I Need to Know,” featuring Shawn Rivera… a smash hit vocal for both Smooth Jazz and urban play lists. ALWAYS HIGH REACHING is totally in-the-pocket urban-flavored Smooth Jazz that’s sure to make its mark on the format, and bodes extremely well for the future of this stylish duo. Long live Everett B. Walters! ~SCOTT O'BRIEN

JAMES SAXSMO GATES It's Time 804 JAZZ

Get ready for some funk, some old school, a little Gospel, and some downright inspiring sax playing from a guy who was known for his high-stepping style and heart-stopping solos in the Virginia State Marching Band back in the day. I can assure you… he’s still delivering those heart-stopping solos. They’re all over IT’S TIME, James Saxsmo Gates’ third solo release. What’s with the name? Well, at VSU his classmates started calling him “Satchmo” after Louis Armstrong, because of how he practiced. Respecting the fact that there could only be one “Satchmo,” he suggested they change his nickname to “Saxsmo,” and that one’s stuck with him all these years. While there’s just not room here to run down James’ extensive resume, I’ll just mention that he’s a graduate of Berklee, has gigged with some of the best, and in addition to being a successful solo artist has been a music educator for many years. Now let’s get to the exuberant tunes on this project… the energetic: “It’s Time,” “Genesis” and “A Change Within;” the festive: “Sunset Bay;” the sweet: Luther’s hit “I’d Rather;” the inspirational: “I’ll Write a Song for You” and “I Know What God Has Done” featuring Robbie Cunningham; and the just plain fun, like “Ain’t No Stoppin’ Us Now” and “Sexophone.” Behind him is an exceptional group of musicians from the Virginia area, including the awesome Bill McGee on trumpet and Flugelhorn. James Saxsmo Gates’ IT’S TIME feels good. It reflects perfectly this man’s talent and soul. It’s definitely hot stuff! ~SCOTT O'BRIEN

FIONA JOY HAWKINS ICE Little Harley Music

There’s nothing like an emotion-stirring piece of piano music… now imagine ten of them. That’s what’s awaiting you on Fiona Joy Hawkins' enrapturing new release, ICE – PIANO SLIGHTLY CHILLED featuring rhythmic piano chill music. Classically trained as a pianist, the Australian composer is on the cutting edge of contemporary music that plays well in the World lounge – meaning that listeners all over the globe will find something to attach to in this very personal and inspiring music. She’s charted at the tippy top of New Age music charts with her previous releases and is now piquing the curiosity of chill, electronica and lounge enthusiasts everywhere with ICE – PIANO SLIGHTLY CHILLED. Fiona has the keen ability to synchronize her visual art (original, dazzling, colorful mixed abstracts are available on her website) with her musical compositions. Fiona says, “The idea of synchronicity has always intrigued me, colours, ideas and emotions all have corresponding sounds which are a description of everything I see and feel.” ICE – PIANO SLIGHTLY CHILLED is cinematic, elevating and enthralling… at first listen we knew that we had discovered something deluxe and delightful. Truly tapped in as a conduit to the creative source, Ms. Hawkins has captured our hearts with songs like the entrancing “Frosted View,” the dramatic “Winter Cold,” the delicate and swirling “White View,” and the sensual, Jane Siberry-esque “Crystalized Love.” Chill out at your earliest convenience to Fiona Joy Hawkins’ slightly chilled piano and prepare for deep lounging and relaxation. ~SANDY SHORE

LISA HILTON The New York Sessions Ruby Slippers Productions

Ms. Hilton is back with a jazzy homage to the Big Apple. THE NEW YORK SESSIONS captures the energy and spirit of NYC with grace and elegance. According to the jazz chanteuse, “I’ve always been attracted to the energy of Manhattan, so I traveled to the home of some of the greatest jazz musicians in the world.” For two days Lisa ensconced herself with world-class musicians, bassist Christian McBride, trumpet/fluglehorn player Jeremy Pelt and saxophonist Steve Wilson. She refers to this ensemble as her “dream team.” THE NEW YORK SESSIONS was inspired by the great American songwriters and classic composers… from Joni Mitchell’s “Both Sides Now” and Ray Charles’ “A Bit of Soul” to Thelonius Monk’s “Epistrophy” and Johnny Mandell’s “Emily” she captures a vibe and spirit from a time in American history when there were no rules, boxes or requirements when it came to creating music. Lisa says, “My goal musically is not to impress, but express.” The passionate pianist does just that on this release and she allows lots of room for her dream team to as well. You’ll also find a handful of exceptional originals including the whimsical “Just Want To Be With You” (the 2nd single recorded and mixed by Grammy winning producer/engineer Al Schmidt, well known for his work with Diana Krall, Queen Latifah and Christ Botti), an extended version of “Seduction” which is the title track from her debut CD, the melancholy “The Last Time…” and my favorite, “Where Are You Now” featuring a delicious trumpet solo. NYC suits Ms. Hilton very well! ~SANDY SHORE

BRIAN HUGHES Live Sylvan House Music

Recorded live at La Maison de le Culture in Frontenac, Montreal, Canada. Espace Musique, Radio-Canada's Music Radio Network has managed to capture the very essence of Brian Hughes in concert. BRIAN HUGHES LIVE is one of the best live recordings I’ve ever come across. The sonic quality glistens… it’s stellar; the expression of Brian’s guitar playing is nothing less than brilliant, the band is on and the audience, truly appreciative. This October night in 2005 was indeed magical and it’s ours for playback. BRIAN HUGHES LIVE serves up over 70 minutes of performance, featuring the deep, melodic, cinematic style of one of contemporary jazz’s finest players. Mixing Latin, jazz and world music compositions, this classic traverses seamlessly from start to finish showcasing some of the best musicians on the planet including Tim Landers on Bass (Al DiMeola, Billy Cobham, Gil Evans), Tal Bergman on drums (Joe Zawinul, Chaka Khan), Ron Powell on percussion (Sergio Mendes, Madonna, Kenny G) and Brian’s longtime associate, pianist Les Portelli. Brian’s always been a personal favorite of mine since his debut, the timeless BETWEEN DUSK AND DREAMING. He’s mastered the art of creating memorable melodies and delivering them with passion and grace. Be sure to visit Brian’s website, BrianHughes.com, for more info on LIVE and his other releases, tour updates, guitars of choice and even martini recipes. This is one cool hombre! ~SANDY SHORE

DON IMMEL Long Way Home Elemental Music

You might think parades, comic relief and big band… but you probably don’t think of sexy when you consider a trombone. That’s about to change… Don Immel is single handedly bring sexy back to the trombone! Quite honestly, I’ve never been more impressed with a recording where trombone is the lead and in fact, let me just say that LONG WAY HOME is one of the most impressive works I’ve heard in 2008 thus far. Immel’s style is rich and sophisticated… as well as uber hip to the point where his trombone sounds more like a robust flugelhorn if you will, offering a creative texture to the artist’s inspired ideas and melodies. Don has played with artists as diverse as Chris Botti and Elvis Costello which may have influenced the smooth alternative blend on LONG WAY HOME. The former University of Washington (Seattle) professor now makes Europe home as he plays and tours extensively in Denmark. He promises to relocate to SmoothJazz.com country on the Monterey Peninsula when he explodes internationally, but I don’t think he realizes, that may be sooner than later. Songs on this collection are ideal for film soundtracks… Don’s take on Led Zeplin’s “Whole Lotta” literally left me speechless the first time I heard it… featuring a killer vocal from Chandry Moore. Incorporating elements of jazz, chill, pop and neo-classical LONG WAY HOME is phenomenal and proof positive that Smooth Jazz is flourishing with spirit and ingenuity. ~SANDY SHORE

ROBIN JAMES Haven Scorpio Beach Music

Indianapolis bassist Robin James’ musical journey began when he saw and heard The Beatles. He began to seek out guitars… toy, handmade, whatever he could find. After a five-year attempt by his mother to get him excited about saxophone and playing in the school band, the sax got sold and replaced by a bass and amp. A high-school chum taught Robin how to play “Sunshine of Your Love,” and… fast forward to 2008, and here we are celebrating the release of a dynamic collection of Robin James originals called HAVEN. This is a fascinating project, with a Steely Dan vibe and philosophy behind it: Jazz that rocks. It’s funky, it’s mellow and it grooves. It has all the elements within its 13 tracks that the Smooth Jazz format has embraced from its beginnings, giving it a crisp, adventurous sound. Add in the organic tone of real instruments, and production values that give the music a “live” presence, and the result is extraordinary, with moods ranging from soft and sweet (“I Still Love You”) to Caribbean (“Rincon”) to fusion (“On the Go”). Strong compositions, top-drawer musicianship and that electric production combine for an amazing listening experience. My front-runners include the lusty “Inside V4”, the jazzy “SRB,” and the very cool “Turnaround Blues.” Robin James’ HAVEN is definitely an album worth exploring. I highly recommend it! ~SCOTT O'BRIEN

ED JOHNSON & NOVO TEMPO The Other Road Cumulus Records

Brazilian music has been an addiction of mine since the early 1960’s, when I first heard Jobim and the Getz/Gilberto collaborations. Naturally I was quite eager to give Ed Johnson’s new project THE OTHER ROAD a listen when it arrived in my mailbox. I’m extremely pleased to report that it has quickly become a current favorite in my player. This Palo Alto, California native has assembled an impressive band of musicians here to support his brilliant guitar and vocal artistry, and together they absolutely nail the great vibrancy, romance and beauty of this amazing music. Mr. Johnson puts it succinctly when he says, “…I constantly strive to pay homage to the music that has inspired me over a lifetime…” He succeeds glowingly on this, his fourth solo album. All songs are originals, composed all or in part by him and members of his band. The moods range from the soft and sweet “Song for My Daughter” and “Chorar” to the unbridled exuberance of “Samba 2 Tom” and “View from Above,” the latter tune written by electric guitarist Scott Sorkin. In keeping with Mr. Johnson’s theme of “roads taken, roads left behind, and roads that diverge,” the lyrics on some material have bite and astute social commentary, with titles such as “Katrina” and the anti-war “Bolero: Solo a Vivir.” Taken as a whole, Ed Johnson & Novo Tempo’s THE OTHER ROAD is a completely entrancing journey into all that makes Brazilian music so timeless and captivating. I love this album! ~SCOTT O'BRIEN

BERNIE KENERSON Just You and Me Bernup Records

The EWI (Electronic Wind Instrument - pronounced “eewee”) has been known to spice up a tune as evidenced by some classic Smooth Jazz including many an early Rippingtons’ recording. An entire album with EWI as the lead, however, totally moves this instrument to the forefront and gives it some due respect. Enter innovator, composer and multi-instrumentalist Bernie Kenerson of Myrtle Beach, South Carolina. His extensive musical background includes saxes, flutes, clarinets and keyboards. Mr. Kenerson started playing Electronic Wind Instruments nearly 30 years ago when he picked up a Lyricon. Now his instrument of choice is the Akai EWI4000s, upon which he displays an incredible facility for expression and artistry. According to Bernie, “The new Akai EWI4000s is the best way I’ve found to express the music inside me.” His new album JUST YOU & ME is strong evidence of that. His playing is brilliant, and with a live rhythm section he completely immerses himself in the improvisation and energy of his instrument and, more importantly, conveys it convincingly to his listeners. This is first and foremost a jazz album, with colors ranging from pensive and haunting (“Glad You Said Yes”) to fun and festive (“Grand Strand Samba”). Rhythms range from Reggae (“Honeymoon Flight”) to Smooth contemporary (“She Said”), and if you need any cajoling into accepting the EWI as a bona fide lead instrument, Bernie Kenerson and his new album JUST YOU & ME are the ones to do it ~SCOTT O'BRIEN

DWAYNE KERR Higher Calling Dmanns Music Group

Where shall I start as I share my enthusiasm for this sophomore release from one of the most talented flutists in Smooth Jazz today? I think I’ll begin by saying that Dwayne Kerr has been playing flute in Erykah Badu’s band since 1998. Ms. Badu says this: “As I watch my friend in amazement, the high tones and trills become part of me, helping me to grow onstage. I don’t know which is sweeter, his tone or his soul.” After listening to this album and researching Dwayne’s background and temperament, I can appreciate her dilemma. HIGHER CALLING (Biblically inspired) is absolutely captivating, by design. Mr. Kerr’s created a project that’s mostly mid to up tempo, with feel-good vibes and catchy melodies that, as he puts it, “you would whistle or hum to yourself.” Highlights include the first radio hit, a fresh and stunning read on Bill Withers’ “Ain’t No Sunshine,” with Erykah guesting on wordless vocals. Then there’s the rich and captivating “Being with You,” featuring beautiful interplay between his flute and his friend Kirk Whalum’s tenor sax; and “Chillin’,” featuring the virtuoso guitar work of Matt Marshak. I also really like both the full and unplugged versions of the John Mayer hit “Daughters.” There are those rare occasions when all the elements of an album project come together so beautifully that the finished ‘whole’ is truly greater than the sum of its parts. Such is absolutely the case with Dwayne Kerr’s HIGHER CALLING. I give it my highest recommendation! ~SCOTT O'BRIEN

EARL KLUGH The Spice of Life Koch Records

The first album in three years from a Smooth Jazz icon is something to celebrate. The first full band album in nine years is truly a special event. Earl Klugh’s guitar work is some of the most distinctive and recognizable in music history. Hearing THE SPICE OF LIFE is like returning to a much-loved vacation spot after too long away, finding, much to your delight, that it’s just as satisfying, if not more so, as it was the first time you visited. It’s impeccably assembled, performed, and presented… the perfect balance of beauty, sweetness, and vibrancy that we have come to love and expect from one of the most influential musicians in jazz. I really can’t overemphasize here how major a contributor Earl Klugh has been to the fabric of American music. THE SPICE OF LIFE provides a wonderful spectrum of Mr. Klugh’s styles, from solo guitar to lush orchestral settings, from sweetly lyrical to a lively taste of old school and funk, from classic standards to fresh, new original compositions. This album is just as much an essential for Smooth Jazz aficionados as a new release from The Rolling Stones would be for a rock fan. THE SPICE OF LIFE is a brand new classic from an artist whose name has been synonymous with quality Smooth Jazz since the very beginnings of this genre! ~SCOTT O'BRIEN

STEFFEN KUEHN Trumpop Stef Records

I’m blown away by this new project from San Francisco Bay Area trumpeter Steffen Kuehn. It’s outstanding, and here’s why… he’s incredibly talented, and he gets it! Steffen knows what works for Smooth Jazz. The recipe isn’t a secret, but it amazes me how so many artists seem to miss combining the right ingredients in the right proportions. TRUMPOP is a surefire lesson plan for anyone planning to release a hit Smooth Jazz album. Compose solid, lyrical songs, add two or three killer covers (in this case a pop hit, “Through the Fire” and two jazz classics, Pat Metheny’s “Spring Ain’t Here” and Miles Davis’ “Blue in Green.”), include a tasty vocal ballad (“For All the Things,” featuring Carla Helmbrecht) and an engaging Latin tune (the Bossa-flavored “Sleepless Nights,” featuring scatting from Claudia Villela). Then find a talented support team, like keyboardist/producer Peter Horvath, guitarist Ray Obiedo, bassist Nelson Braxton, drummer Brian Collier, and percussionist Karl Perazzo. Now, here’s the essential spice you need… arrange all of these ingredients with a jazz sensibility; then add brilliant, passionate performances and crisp production values. Voila! You have a fresh, exciting collection of music that Smooth Jazz fans worldwide are going to love, and that forward-thinking Smooth Jazz broadcasters are going to embrace and support. You have a hit album. You have TRUMPOP by Steffen Kuehn. Class dismissed! ~SCOTT O'BRIEN

LARRY LAGERBERG Footprints in Paradise GrooveMeister Music

Trumpeter/flugelhorn player Larry Lagerberg is the perfect example of someone not letting the fire dampen. This Colorado jazz musician put his musical ambitions on hold for a few years while developing a career in finance. You may think it odd after attending college for music studies, but Larry banked his dream for certain stability. We couldn’t be more delighted that the music in his head wouldn’t stay silenced forever… Larry debuts with one of the most classy and elegant jazz albums we’ve heard in a long while. FOOTPRINTS IN PARADISE is really lovely and ideal for relaxing, unwinding, dreaming, dinner partying, etc. One of his influences is Michael Franks and honestly, the subtlety of Larry’s music is definitely along the lines of the sensual jazz vocalist. This mostly instrumental project is refined and tranquil; cinematic if you will. The first song, “Sanctuary,” is a beautiful, moody piece that may spark your imagination of being in a huge, Gothic cathedral. Another favorite is the breezy title track, “Footprints in Paradise” which is reminiscent of the work of Chuck Mangione (think: CHASE THE CLOUDS AWAY). Also, the Latin “Southern Exposure” offers a Metheny-esque vocalizing / Brazilian vibe that is very cool. There’s not a song that you won’t enjoy on FOOTPRINTS IN PARADISE. You are welcome to pick up the entire album as a soundtrack for your jazz collection, or download individual tunes at LarrysJazz.com. Larry’s Jazz is our kinda jazz! ~SANDY SHORE

BRADLEY LEIGHTON Soul Collective Pacific Coast Jazz

I remember recommending flutist Bradley Leighton’s JUST DOIN’ OUR THANG as a superb example of “Smooth Jazz meets cool jazz” a few years ago. Then it was BACK TO THE FUNK where “Smooth Jazz meets old school funk,” that I was raving about. Now he’s done it again with his newest release, his 4th, SOUL COLLECTIVE, where as Bradley puts it, “we feature the flute in a variety of ensemble settings… each… producing its own unique sound.” What a great collection of tunes! He continues, “It's fresh and funky – with just enough old school greaze added to ‘keep that same old feeling’ alive and well.” He’s got label-mate Tom Braxton playing sax on a pair of killer tracks, “It’s On” and “Café con Leche.” Sax man Tom Scott comes aboard for a great re-do of the Hall & Oates classic “She’s Gone,” plus he’s on two other cool tunes. Mr. Leighton invited guitarist Evan Marks (Fattburger) to perform on this album as well, and two of the tracks (“Ode to Billy Joe” and “Keep That Same Old Feeling”), previously released to radio but up ‘til now not available on an album, feature Jason Miles as arranger/producer/keyboardist. As I’ve mentioned before, I love Bradley’s playing and percussionist/keyboardist Allan Phillips’ collaborations with him. SOUL COLLECTIVE is another home run for everyone involved. It’s world-class in every sense of the word. Smooth Jazz wins big on this one! ~SCOTT O'BRIEN

MIKE LEVINE From the Heart Rhombus Records

For quite a while now we’ve been hearing that the Smooth Jazz format needs to attract younger listeners, so when a 15-year old fan remarks “Usually you buy a CD that has 1 or 2 nice songs and the rest are filler, but on your CD I like all of the songs!” we should all sit up and take notice. This statement was made about Mike Levine's FROM THE HEART release. Ten of the eleven songs are originals and all eleven have their own distinct personality. Although this recording is his debut, Levine’s background is extensive and stalwart. Hailing from the Miami area he is a regular at local venues including Arturo Sandoval’s and the Hard Rock Café. He has played on albums for artists as varied as Michael Bolton, Jaco Pastorius, Ed Calle and Julio Iglesias and performed with many other luminaries who admire his talents. With special guests Hiram Bullock and Ed Calle, FROM THE HEART jolts us with a breath of fresh air as the opening notes of “Headin’ Home” present a melody that is both captivating and memorable. Aptly titled, FROM THE HEART is eloquent, engaging and flows with emotion. Throughout the recording, fine musicianship and composition skills are at the forefront and there’s not a track you'll want to pass by. It might have taken quite a long career for Mike to step out on his own, but now that he has, there’s no turning back. ~BETH LEWIS

LUNA BLANCA Guitar Island Luna Blanca Music

Founded in 2000 by lead guitarist Richard Hecks, Luna Blanca hails from Germany and is named in homage to world-renown Nuevo Flamenco guitarist Ottmar Liebert. The 3rd release for Luna Blanca, GUITAR ISLAND is a delightfully uplifting musical journey featuring eleven irresistible, original compositions by Hecks and the band’s pianist Helmut Graebe. The critically-acclaimed ensemble performs throughout Europe from larger festivals such as Germany’s sold out Bocholt concert “Just4Fun” to more intimate gatherings involving food and music pairing; the press has dubbed these smaller events “Flamenco Culinario.” In addition to Hecks and Graebe, Luna Blanca enjoys collaborative efforts on GUITAR ISLAND from famous European Flamenco guitarist Bino Dola on rhythm guitar, award-winning percussionist Sascha Popping and bassist/keyboardist Clemens Paskert who also assisted with recording and mixing. Richard Hecks plays an incredibly articulate classical (“Spanish”) guitar with soulful, sunny exuberance. His guitar is a custom-made nylon-string masterpiece from distinguished guitar maker Hermann Hauser (you know what they say about German engineering… stunning!). GUITAR ISLAND is certain to take you away to a place where your hips sway and the sunshine moves your spirit. With songs like the captivating “Pastis,” the Caribbean-splashed “Island Reggae,” the absorbing “Villa Azur” and the uplifting “Orion,” you’re sure to gravitate towards the nearest umbrella drink and float away in your mind. Lilting, alluring and passionate… listening to Luna Blanca’s GUITAR ISLAND is like taking a vacation without having to pack. Bon Voyage! ~SANDY SHORE

DAVID MARQ The Hit It Project Alexscar Records

The energy of THE HIT IT PROJECT creates an immediate good feeling! Saxman David Marq is so on the mark as he covers a collection of songs penned by Grammy Award-winner Skip Scarborough whose legendary songs from the 1970s and 1980s still flood the airwaves today. The late songwriter/producer left us with an unforgettable legacy including “Lovely Day” (Bill Withers), “Love Ballad” (L.T.D.), “Don’t Ask My Neighbor” (The Emotions), “Giving You The Best That I Got” (Anita Baker) and “It’s Alright With Me” (Patti LaBelle). Starting with such a stellar collection of songs doesn’t necessarily make it easier on the artist… interpretation is paramount to success on such an ambitious journey. David Marq delivers impeccable performances of these classics. His tone is smooth, sultry; he’s on the money. Marq’s grandfather is the late Billy Taylor Sr., jazz bassist for Duke Ellington. The passion for soulful music runs deep in this family. As it does for the Scarboroughs, Alton McClain Scarborough is featured on vocals on the contemporary gospel track, “They Say.” She delivers the tune with a gorgeous, articulate voice that blends beautifully with David’s sax work. Additionally, Scarborough’s son Marc, is featured on the vocal version of “Love Ballad.” He’s turned in a tender, sweet version of this timeless tune! These are some big shoe’s to fill (you may recall Jeffrey Osborne handling this originally for L.T.D.). Don’t you miss this exciting venture on Alexscar Records. In this hesitant time for the music industry, this is a rare find! ~SANDY SHORE

MICHAEL McDONALD Soul Speak Universal Motown

I’m not going to lie to you, I’m biased. Michael McDonald is an all time favorite of mine. From the days when I would lug that Doobie Brothers 8-Track tape into the Mustang on my way to high school and play it as loud as the dial would allow on all six of those car speakers to each and every solo CD to date. Michael McDonald is a divine conduit of soul… he’s one of kind… the essence of pure, raw, soulful energy. The gift is the voice, but it’s really so much more than that. There are singers and then there are singers. This artist allows himself to be open and from that place he gives… so you’re not just hearing a pop singer deliver a pop song. You’re experiencing a soulful human being bringing all that depth to the microphone and that my friend is where it all starts. Soul it is and soul it must be on SOUL SPEAK. Fourteen tracks featuring some of the best songs ever written with the only common thread being that they are yes, soulful… selections from Stevie Wonder, Burt Bacharach, Van Morrison, Leonard Cohen, Bob Marley and originals as well that actually are on par with the above inspired composers. Produced by Simon Climie, long time Eric Clapton collaborator, Climie brings a genuine yet polished intention to SOUL SPEAK providing an extremely satisfying, contemporary experience. This is stellar work… a must have for spring/summer listening… and for me, personally, on continual repeat on my iPod. ~SANDY SHORE

DARREN MOTAMEDY Don't Cha Know Mashhad Music

With his ninth release, DON’T CHA KNOW, Seattle Smooth Jazz icon Darren Motamedy is finally getting the long-overdue national and worldwide recognition as the saxophone solo star that he is. Darren’s work is amazing, and to those of us who live in the Puget Sound Area, he’s a household name. Can you imagine how cool this is for his 5th and 6th grade students? He teaches band in the Seattle suburb of Kent. Even if his name may not be as familiar to you as it is to me, you’ve heard him on Smooth Jazz albums for years. Remember the group Motoretti? How about Tony Gable & 206? Darren was an integral part of both of those bands. He gigs around this area constantly, has been an active member of the Seattle music community for many years, and his performing resume is impressive, to say the least. This self-produced, new project from Darren is stellar, with brilliant performances of rich, vibrant original compositions, including the outstanding first radio hit, “Love You Just So Much.” In addition he includes a funky, contemporized take on the Gershwin classic “Summertime” and a poignantly beautiful read on Luther’s “Dance with My Father.” What I like best of all about DON’T CHA KNOW is that Darren Motamedy’s got his priorities in order… it’s Jazz first… smooth second. Highly recommended! ~SCOTT O'BRIEN

NOVELLO B3 Soul NoGo Records

B3 is the sound of sunshine and everything warm and wonderful…when I first heart B3 SOUL from Novello I was truly moved. Somehow this masterful musician has managed to capture the cool essence of an instrument that was pioneered by 60’s soulsters and rock titans and flavor it up with jazz and hip hop to push it to the edge of today’s most contemporary music. Keyboardist/composer/arranger/producer John Novello has done brought it to nearly everybody who’s anybody, he’s played with Chick Corea, Ritchie Cole, Hubert Laws, Andy Summers, Edgar Winter, Mark Isham, Donna Summer, Manhattan Transfer to name a few and he has tremendous international success with his band projects Niacin and The John Novello Band. He’s even had Smooth Jazz recognition with his first solo release TOO COOL. But he’s finally releasing something that he’s been hankering to do for a very long time… a “pocket groove” project. John says, “Music in the end is all about the pocket – the groove, the rhythmic flow that captures our souls, gives them a spiritual shower and transports them out of the normal time zone of the physical universe and it’s trials and tribulations to the universe of no time and problems – the thought or spirit universe where our souls come from – our Home Universe!” I am here to testify that this four song EP will do all that. Seductive, enveloping, slamming… true pocket grooves each. Download B3 SOUL for only $3.96 or get the CD for just $5.95! ~SANDY SHORE

BUFORD POWERS Eclectic BufordPowers.com

The classic baritones of jazz… Johnny Hartman, Arthur Prysock, Billy Eckstein… are all gone now, but there’s an amazing voice I’m going to introduce you to who does a sweet job of channeling the spirit of these greats of yesteryear in a fresh way that resonates beautifully with today’s Jazz and Smooth Jazz. Buford Powers has been referred to as “the [San Francisco] Bay Area’s most romantic singer” for good reason. In fact, the tunes you’ll hear on ECLECTIC, his second release, represent a dozen reasons for this appellation. In keeping with his theme, Mr. Powers moves effortlessly from romantic, contemporary ballads like the Creed/Bell evergreen “Betcha By Golly Wow” and Van Morrison’s “Someone Like You” to the Zydeco message song “N’awleans Shuffle (The Katrina Story)” to the bluesy “Room With a View of the Blues” and “T’ain’t No Need”, both of which also have a Joe Williams vibe to them. In my opinion, though, the signature song on this album is Mr. Powers’ intimate and moving reading of Billy Strayhorn’s iconic “Lush Life.” I’m also especially drawn to the tasty “A Dream Come True” and his very cool, unique treatment of the 50’s Roy Hamilton hit “Don’t Let Go.” The man from Oakland who grew up listening to the sounds of Jazz, Blues, R&B, and Gospel, has brought it all together for ECLECTIC, a truly memorable collection that makes it clear that the torch from the great baritones is still shining brightly through the voice of Buford Powers! ~SCOTT O'BRIEN